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Create from 519 piments ↗18+ · cutout dress AI video
A cutout dress AI video keeps the openings exactly where your photo shows them. Upload one photo and Neonyx renders you in the same dress, the panels and straps holding their shape while you turn, lift an arm and step into a beam of light, in a vertical 5, 10 or 30-second clip with ambient sound. 18+ only, never explicit.
Ready-to-shoot scenes. See all
One or several models for a duo or group scene: say who does what in your prompt.
Your photos or our AI models: adults only, real people with their consent. Conditions
Type @ to mention an image in your scene.
Choose an idea to add it. Your existing text is kept.
SumUp payment: €10.39 in euros. Your final dollar amount depends on your bank’s rate and fees.1 EUR = 1.1253 USD · ECB 2026-10-16
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SSL encryption · 3-D Secure · Your card details never pass through our servers. Apple Pay and Google Pay are shown by SumUp when available for your device and payment.SumUp payment: €13.33 in euros. Your final dollar amount depends on your bank’s rate and fees.1 EUR = 1.1253 USD · ECB 2026-10-16
One payment, no subscription required. Piments are deducted once and your balance is saved to your account. Guest videos are never added to a library; previously saved files can be deleted in Settings.
Generated with Seedance 2.5 by ByteDance: strong face, outfit and style consistency with your reference photos.
Upload your references, describe the scene and choose your length. Your clip appears right here.
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New · 16 models · 8 scenes
A kiss in the club bathroom, a hand that wanders in the taxi at 4 a.m., a shower for two after the party… Pick a scene: the models and the full prompt drop straight into the studio. Tweak it, or let them play it exactly as written.
Duo · Kiara & Lena
@Image 1 and @Image 2 in tight party dresses, one black with thin straps, the other silver and very short, in a nightclub bathroom: cracked white tiles, mirror smudged with fingerprints, paper on the floor, a purple neon light flickering and buzzing, bass thumping behind the door, a toilet flushing in the distance. @Image 2 holds the phone at arm's length, the frame tilts, she laughs: "Okay okay, we're filming this." @Image 1, leaning on the sink, bites her lip and grabs @Image 2 by the back of the neck: "Come here." Kiss with tongue, slow then more urgent, hands in the hair then on the butt through the dress, @Image 1's strap slips off her shoulder and uncovers a breast, she doesn't pull it back up. Lipstick smeared on both mouths, short breath, @Image 2 looks into the lens: "We're so bad," and they burst out laughing, the phone almost falls, reframes on the ceiling, cut.
Solo · Sara
@Image 1 in a black Brazilian thong and a sequined crop top pulled up above her navel, high heels, at a VIP table: red velvet booth, low table covered in bottles, sweating ice bucket, sparklers crackling on a bottle, white strobe and green lasers, smoke. Filmed by a friend slumped on the booth who shouts over the music: "Go on, show them!" @Image 1 turns her back to the camera, spreads her legs, hands on her knees, arches her back and twerks to the beat, butt bouncing, thong sinking in, sweat in the small of her back. She turns around laughing hard, hair stuck to her forehead, grabs a bottle by the neck and raises it to the lens: "To tonight, bitches!", drinks, chokes, laughs. Flash from another phone, a bouncer passes by blurred, the friend screams with laughter, the image shakes everywhere.
Duo · Mia & Chloe
@Image 1 and @Image 2 in the back of a taxi at 4 a.m., worn black leather seat, an air-freshener tree hanging from the mirror, shop signs and red lights sliding across their faces in blurry patches, the indicator ticking, radio turned low, the driver blurred from behind. @Image 1 holds the phone low, the frame sometimes cuts off their heads. @Image 2, shoes in hand, rests her head on her shoulder: "Best night of my life, I swear." @Image 1 whispers: "Shh, he can hear us," nodding toward the driver, they giggle. @Image 2 lifts her head, their eyes meet, kiss with tongue, slow, @Image 1's hand slides under @Image 2's dress out of frame, @Image 2 closes her eyes and holds her breath, then @Image 1 goes "Shhh" to the lens with a smile, the phone reflected in the window, a pothole shakes them, they laugh.
Solo · Yasmine
@Image 1 in a white thong, topless, lying on a hotel bed at 5 a.m.: crumpled white sheets, pillow half on the floor, dress in a ball on the floor, heels knocked over, a water bottle on the nightstand, only the bedside lamp on, yellow light, blind half open on a sky turning blue, distant music through the wall. Running mascara, glitter stuck to her cheek. She films herself at arm's length, hoarse voice: "It's five a.m. and I am not even tired," yawns right in the middle, laughs at her own yawn. She rolls onto her stomach, arches her back, the thong rides up her hips, her butt lifts, she looks over her shoulder: "Okay, maybe a little," blows a kiss to the camera, buries her face in the pillow, says a muffled "Good night", and the phone drops onto the sheet, blurry shot of the lamp.
Duo · Mei & Bianca
@Image 1 in a tight black mini dress with no bra, nipples visible through the fabric, in the middle of a packed dancefloor: red lights, smoke, a disco ball, distorted music crushing the mic, bass shaking the image, strangers' shoulders and arms crossing the frame, a spilled glass on the floor. @Image 2 films very close, at arm's length, the frame cropped and tilted. @Image 1 shouts into the lens: "I can't hear you!" laughing, @Image 2 grabs her by the waist, they dance pressed together, hip to hip, the dress rides up her thighs and @Image 1 lets it, hair stuck down, skin shiny with sweat. Kiss with tongue in the middle of the crowd, a stranger bumps into them, they laugh into the kiss without letting go, @Image 2 shouts "Oops!" and a phone flash blinds them.
Duo · Natalia & Rosa
@Image 1 and @Image 2 in the same shower after coming home from the club: narrow stall with blackened grout, patterned plastic curtain, shampoo bottles on the floor, harsh ceiling light, steam, the sound of water drumming on the tray. @Image 1 holds the phone out of the spray, fog on the lens, makeup running in black streaks, bare breasts, hair slicked down. @Image 2 steps under the water and lets out a little scream: "Oh my god, it's freezing!" @Image 1 laughs: "Come here, I'll warm you up," pulls her close, chest to chest, they kiss under the water, hands on backs and hips, framed at shoulders and faces, water splashes the lens and blurs everything, @Image 1 wipes the lens with her thumb laughing, her fingerprint shows, @Image 2 says "You're getting it wet" and they laugh even harder.
Solo · Isla
@Image 1 in a black thong and heels on a rooftop at 3 a.m.: gravel underfoot, cold metal railing, lit-up towers behind, a red sign blinking on a facade, wind whistling in the mic, a siren in the distance. Filmed by a friend whose voice shakes with laughter: "You're not gonna do it!" @Image 1, still wearing a sequined top, answers "Watch me," pulls it off in one move and spins it above her head, topless, goosebumps on her arms, nipples hard from the cold, she shouts at the city "I love this city!", turns around and twerks against the railing laughing hard, a champagne bottle in her hand foaming over her fingers, the friend screams "Oh my god, oh my god!", a streetlight overexposes the image, then it plunges into darkness as she turns.
Solo · Tina
@Image 1 in the dark cloakroom of a nightclub: racks loaded with jackets and coats, numbered tickets, an empty counter, red light from the corridor filtering through the half-open door, muffled bass, distant voices. Selfie video held at arm's length, strapless dress pulled down to her waist, topless, marks from the dress on her skin. She whispers to the lens with a half smile: "Quick, before someone comes in." She arches against the wall of jackets, slowly caresses her breasts while staring at the camera, visible breathing, bites her lip, her other hand slides down her stomach and out of frame. A door slams in the corridor, she jumps, yanks her dress back up and bursts out laughing, hand over her mouth: "Oh my god, no!", the phone tilts sideways and the video cuts.
Fictional adult models created with AI.
New · Reference video
You know that video you keep replaying? Drop it in: we keep every move, every sway of the hips, every camera angle. You pick who plays it, where it happens and how hot it gets.
The one you keep replaying, 2 to 30 s. We won’t ask which one It becomes @Video 1.
Who plays it (@Image 1), the place, the mood, the outfit… or what’s left of it. One sentence is enough.
Same rhythm, same camera, with your muse in the lead. Ready in minutes, just for you.
Keep every move and the camera of @Video 1. Replace the girl with @Image 1, in a hotel room at 3 a.m., dim red light, a black satin slip sliding off her shoulder, eyes locked on the lens.
A cutout dress is a set of openings placed with care. The fabric around each one has to stay put when the body moves, or the shape drifts and the dress looks melted. Most failed clips come from the model redrawing the cut-outs on every frame, not from a bad face.
The fix is to name each opening and its position in the prompt, then ask for one move at a time. A turn or a slow arm lift is easy to hold; a full routine gives the panels too many chances to change.
These are real studio clips made from ordinary photos, not demos of this exact dress. They show how the outfit holds through a camera move.
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AI video
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AI video
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AI videoUpload yourself as @Image 1. Test the shape at $5.19, then render the keeper at $11.69 so the openings stay clean.
@Image 1 in a black dress with side cutouts at the waist turns once, slowly, the cutout panels keeping their shape, one hand resting on the hip, static medium shot, soft club music far away.
One turn lets the openings hold.
@Image 1 in a dress with a cutout across the shoulder lifts one arm slowly over the head, the opening staying in place, a warm spot of light on the shoulder, slow push-in, quiet room tone.
A slow lift keeps the strap where it belongs.
@Image 1 in a cutout dress with a lattice of openings walks into a single beam of white light, the openings casting thin shadows across the dress, one slow step, the camera tracking backwards, a low hum in the room.
The shadows show the openings clearly.
@Image 1 with a deep back cutout looks over one shoulder toward the camera, the panels still and sharp, a soft violet fill on the face, slow orbit, distant bass.
The back opening reads well from a slow orbit.
Some openings are easy to keep; others need a simpler prompt.
| Opening | How it holds | In the prompt |
|---|---|---|
| Side cutouts at the waist | Holds well through one turn | “side cutouts at the waist” |
| Shoulder cutout with a strap | Holds if the arm moves slowly | “shoulder cutout, strap in place” |
| Lattice or grid panels | Needs one light and a still camera | “lattice panels, one beam of light” |
| Deep back cutout | Holds with a look over the shoulder | “deep back cutout, still panels” |
| Many small openings | Shapes drift on a fast move | Use one move and a simpler prompt |
Name where each opening sits on the body, not just the dress style. “Cutouts at the waist” works better than “cutout dress”.
Copy what you need:
Small openings need High 720p or Ultra High 1080p to keep their edges clean.
Name the openings, then render.
Use a sharp photo that shows the whole dress, including every opening. The clearer the cut, the easier it is to keep.
Say where each cutout sits, what fabric it is and which single move you want. Or load a prompt that already names them.
Test five seconds at 480p, then render ten in High 720p or Ultra High 1080p so the edges stay sharp.
Per clip, set by length and quality. Pay by card or with piments, no subscription.
| Length | Medium · 480p | High · 720p | Ultra High · 1080p |
|---|---|---|---|
| 5 seconds | $5.19 | $6.49 | $15.59 |
| 10 seconds | $6.49 | $11.69 | $31.19 |
| 30 seconds | $15.59 | $32.49 | $92.29 |
Key lines from the terms of use.
You confirm rights and consent before each render. A cutout is a dress detail; it never replaces the dress.
They can, on fast moves. Keep the motion to one turn or one arm lift and say the panels hold their shape.
Yes. Describe the placement: “cutouts at the waist and one on the back”. Stick to two or three openings; more gets messy.
Yes. Satin and mesh show the cut clearly. A very busy print makes the openings hard to read.
The model is redrawing the openings in each frame. Shorten the move, name the opening and add “panels still”.
No. A cutout has openings in solid fabric; a sheer dress is see-through fabric from the start.
Openings, a turn, a look over the shoulder. Never explicit: nudity and sexual acts are against the terms and can be refused by the video provider’s checks.
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